 |
| |
'At the base of living is belief'
Ilsa Colsell, 2006
'Walking After Acconci'
Marie-Anne McQuay, 2005
'Anonymous
Lovers'
JJ Charlesworth, 2005
The music is all...'
Momus, 2005
'Tape Me I'm Yours'
Steve Lamacq, 2005
'Nests, Puke, Frames...'
Tom McCarthy, 2003
'The Second Coming'
Vivienne Gaskin, 2003
'Love letter, love letter'
Dan Howard-Birt, 2001 |
 |
| |
'Music: Best of 2006' Artforum. 2006
'Silent Sound' Frieze. 2006
'The voice within' Independent. 2006
'Private View' Time Out. 2006
'Take Two'
i-D. 2006
'Iain
Forsyth & Jane Pollard' Untitled, 2005
'Lover's View'
The Big Issue, 2005
'Remake/Remodel'
Plan B, 2005
'Cream of the Crop'
Independent, 2004
London's top 25 new artists'
Art Review, 2004
'We Love Each Other'
The Guardian, 2004
'Psychotic Reaction'
Mojo, 2003
'Would a band...'
i-D Magazine, 2003
'Rewind and repeat
to fade'
Art Review, 2003
'Spastic Fantastic'
Sleazenation, 2003
'Kick the kitsch'
The Independent, 2003
'It Beats Bingo!'
The Guardian, 2003
'Star in their eyes'
Sunday Express, 1998
'Boy, could they play
guitar'
The Independent, 1998
'Pop Art'
i-D Magazine, 1997
'Doing it for the kids'
Live Art Magazine, 1997
'Reel Around The Fountain'
Frieze, 1997
'Yerself is Steam'
Time Out, 1996
'Box Clever'
Big Issue, 1994
|
|
|

Music: Best of 2006
Iain Forsyth & Jane Pollard
Iain Forsyth & Jane Pollard are artists
based in London, England. Recent projects have included their performance
and installation Silent Sound
for the Liverpool Biennial 2006, which featured an original score by
Spiritualized's Jason Pierce.
1 Jason Pierce, "Devil Town,"
peformed at The Devil and Daniel Johnston, The Barbican, London
Deceptively slight when heard in the context of Johnston's album 1990,
Pierce's performance, rolled into a version of Spiritualized's "Lord
Let It Rain On Me," unearthed the song's fragile majesty.
2 J. Tillman, "Jesse's Not a Sleeper,"
from Documented: 2006 Tour EP (Keep Recordings)
With few exceptions, we obsess about individual songs rather than entire
albums. We came to Tillman via Damien Jurado and were so entranced by
this vast country-power-ballad that we played nothing else for a month.
3 Nikki Sudden, "Green Sheild
Stamps," performed at the 12 Bar Club, London
A new song from Sudden's album The Truth Doesn't Matter. He
performed it in public for the first time at what turned out to be his
final UK show. An enduring presence in our lives, Nikki was without
doubt the last bandit.
4 Smog, "Rock Bottom Riser"
(Domino Records/Drag City Records.)
Our turntable was unusually folk-tinged this year. We stumbled into
this song on a free cover-mounted CD, which led us to trawl through
Bill Callahan's past fifteen years of recordings in just a few weeks.
5 Richard Thompson, "Mingulay
Boat Song" from Hal Wilner's Rogue's Gallery: Pirate Ballads,
Sea Songs and Chanteys (Anti)
A haunting sea song about the Island of Mingulay in the Outer Hebrides,
which has been uninhabited since 1912.
6 Cat Power, "Lived in Bars",
video directed by Robert Gordon, from The Greatest (Matador
Records)
This standout from the colossal new album was made truly extraordinary
by Robert Gordon's video, which features the Memphis Rhythm Band and
a cameo by William Eggleston. This was the year that Chan Marshall stepped
up to the mic.
7 John Cale, "Pablo Picasso,"
performed at The Garage, London
After a blistering two-hour set and encore, Cale unexpectedly returned
to the stage to tear through a visceral and unexpected version of one
of Jonathan Richman's most Velvets-influenced songs.
8 The Devastations, "Take You
Home", from Coal (Beggars Banquet)
A collision of most of our favorite artists, without sounding like a
poor imitation of any of them. It's an equation that shouldn't work,
but with this band it does.
9 Liars, "The Other Side Of Mt.
Heart Attack," from Drum's not Dead (Mute)
The perfect close to a mesmerizing album.
10 Wild Billy Childish and the Friends
of the Buff Medway Fanciers Association, "John the Revelator",
performed at The Dirty Water Club, London
A riotous rendition, with Childish accompanied only by the stamping
feet of a few hundred people crammed into the last ever Buff Medways
gig.
Music: Best of 2006
Iain Forsyth & Jane Pollard
This article originally appeared
in Artforum magazine, December 2006
back to the top
|

Cover of Artforum magazine
"With few exceptions, we obsess about individual songs rather than
entire albums. We came to Tillman via Damien Jurado and were so entranced
by this vast country-power-ballad that we played nothing else for a
month."
On the studio
turntable
Iain & Jane's blog
Artforum
|
|