Iain Forsyth & Jane Pollard

South London Gallery
65 Peckham Road
London SE5 8UH

4 February – 18 March 2011

Opening times:
Tuesday-Sunday 11am-6pm
Except Wednesdays 11am-9pm

PUBLICSFEAR brings together film, video and sound works made over the past seven years. The pieces selected for the show explore ideas around both being part of and/or observing an audience. Works range from File under Sacred Music, the artists’ meticulous remake in 2003 of The Cramps’ 1978 bootleg video of their live performance for a group of patients at the Napa State Mental Institute, through to the film Performer. Audience. Fuck Off, 2009, in which we witness the often hilarious, but sometimes uncomfortable impact on the audience of a stand-up comedian drawing attention to individuals within the group.

Whereas these two pieces feature the direct representation of audiences, in Silent Sound, 2006, scored by J. Spaceman (Spiritualized) and shown here for the first time in London, the tables are turned to heighten gallery visitors’ awareness of their own positions as part of an audience, as potential targets for manipulation. Subliminal messaging, we are told, is being employed within this immersive installation to create an exceptionally powerful and moving experience. In stark contrast to this subtle approach, in Walking After Acconci (2005) and Walking Over Acconci (2008) viewers are placed in direct line of verbal attack when rapper Plan B and MC MissOddKidd each rant to the camera about a failed relationship, as if the viewer were the rejected ex. Developing Forsyth & Pollard’s interest in re-enactment, both works are based on influential American artist Vito Acconci’s Walk-Over (Indirect Approaches), 1973, in which the artist talks to the camera about an unknown ‘you’.

The exhibition is accompanied by a programme of evening events in the South London Gallery’s Clore Studio, including a panel discussion chaired by Forsyth & Pollard about the performer/audience dynamic in stand-up comedy, with Robin Ince, Ben Moor and Jo Neary; and the artists in conversation with writer and cultural commentator Michael Bracewell.